IF predictions were my line, Motown's newest signing Stacy Lattisaw
could, in time, become a serious threat to the likes of Teena Marie and
Janet Jackson. She was, to all intents and purposes, quite a surprising
addition to the Motown family because prior to this, very little had
been heard about the nineteen year old singer.
WHILE,
as a family group, Mason have that fact in common with the likes of the
Jacksons, Pointers and Isleys, they have one further common factor with
the Wilson Brothers, a.k.a. the Gap Band. Both families hail from the
unlikely city of Tulsa, Oklahoma.
To say Freddie Jackson is at the cross roads of his career would be something of an understatement. As far as cross roads go, Freddie's reached his spaghetti junction .. . in the rush hour! A slew of silky smooth hits in the eighties, kick started with undoubtedly his best collection to date, the two million selling "Rock Me Tonight" in '85, which of course, contained the monstrous title track along with the likes of "Calling" and "You Are My Lady", has, over the course of nine years and five albums gradually slowed down along with record sales. As the era for the smooth candlelight and champagne crooners in the '80's has given way for the riff happy, baggy jeans, bandana and Timberland hip-hop/soul homies in the '90's, naturally many of the older guard have been left concerned with the change of pace of their careers.
To soul fans, and particularly Soul and Funk Music.com visitors, Alyson Williams is no newcomer. Featured on duets with Def Jam labelmates Tashan, Chuck Stanley and Oran 'Juice' Jones and part of the "Soul Songs" tour in 1987, the soulful lady left an indelible impression on European music lovers through her varying different musical excursions.
MUSIC
was far from Mary Davis' mind when we sat down to mega-chat just
recently. The remainder of the SOS Band were off doing their own thing
leaving The Two Davises to chat over sandwiches and coffee.
When B&S last spoke to Lanier & Co back in February of last
year (was it really that long ago?!), the group were hoping that their
third single for Willie Mitchell's Waylo label would be the one. While
"Dancing In The Night" can't really be regarded as a hit in terms of
the small U.K. market (having peaked outside of the Top 75 at No.78) it
has at least brought them to the attention of a major label in EMI.
Hopefully the single is selling sufficiently well to convince EMI to go
with a follow-up, and maybe their now-completed album as well.
The phone rings at exactly 2:30pm on a sunny L.A. afternoon, and for any interview to begin precisely on time is, to say the least, unusual. On the other end of the line is Reginald McArthur, lead singer of The Controllers, the Alabama-based group whose recording career began in 1975 with the ever-soulful "Somebody's Gotta Win, Somebody's Gotta Lose".![]() |
BELIEVE me, it's just a matter of time before Glenn Jones breaks through and enters the proverbial winner's circle for life! I've been saying this for two years now and felt it was timely now that RCA has just released Glenn's third LP, entitled "Take It From Me". |