Master drummer/producer Norman Connors has been away from the recording scene for almost six years now but out of studio doesn't mean out work. The man who first brought the likes of Phyllis Hyman, Michael Henderson and Glenn Jones to public attention vai his mid-Seventies albums for Arista and Buddah is quick to point out that he's been performing pretty consistently throughout that time.

BELIEVE me, it's just a matter of time before Glenn Jones breaks through and enters the proverbial winner's circle for life! I've been saying this for two years now and felt it was timely now that RCA has just released Glenn's third LP, entitled "Take It From Me".

The interviews in this section are from all kind of magazines or other sources from the 80s, 90s. Via this site I would share them with you. On almost all the interviews the original source is mentioned.

Let's go back to October 1986 to see what's happening in the music business those days. These Liners are from a populair magazine from the UK.

  Lucky fellow Scott Preston interviewed Emilio Castillo from Tower of Power.

No matter who you are, where you live, or your taste in music, Tower of Power will find you. And once that happens, it's all over. You will come to believe not only that soul music is the salvation of us all, but that Tower of Power is one of those rare bands who can claim to be the real deal, 100 proof, aged-to-perfection, ground zero Soul. And the thing is, they're everywhere now.

Who's next?

Interview by Scott Preston  read more on  Cincy Groove

" WHEN Club Nouveau first hit the scene at the end of last year, the pundits were quick to dub them copycats of the Timex Social Club, whose "Rumors" hit was one of last summer's biggest and perhaps most unexpected. So, let's put the record straight here and now by pointing out that Club's leader, Jay King, was in fact the man behind Timex Social Club and "Rumors". However, as soon as "Rumors" made its staggering climb to the top, Timex fell apart ? literally! In fact, at the time of this writing, I'm not even sure if the group actually exists any longer.

MUSIC was far from Mary Davis' mind when we sat down to mega-chat just recently. The remainder of the SOS Band were off doing their own thing leaving The Two Davises to chat over sandwiches and coffee.
Mary is a freindly, charming lady and, despite the relatively early hour, she looked as if she had just stepped out of a photo session. My sweatshirt was no match for her silk! With Mary and the band spending so much time touring, it wasn't surprising to learn that London was one of her favourite places.

  IT WAS Friday the Thirteenth so it was logical to expect something would go wrong. But happily all was not lost because, after a period of total confusion. I did get to speak to a temptin' Temptation — Richard Street. And boy, was he heavy in cold! He'd been suffering for three days but had so far managed to keep it to himself — and this was despite have a flu shot before leaving America!
Anyhow, The Temptations are touring here, as if you needed me to tell you, and to coincide their new single "All I Want From You" has been released, taken from their super "Special" album. And I mean it is a super release, a pot pourri of music, with tracks appealing to all ages. Maybe not so much of The Temptations' sound though. Richard said this was largely due to the producers.
"We used different producers here and some were only in their twenties. That's the way the record company wanted us to go. The producers were fans of the group and maybe the result isn't exactly what people expected.

FINDING out that Atlantic Starr? whose music has marked them as a real staple in anyone's black music diet for the past 9 years ? have only ever had one gold album came as a shock to me when keyboardists Jonathan Lewis revealed that very information during the course of our recent interview, held in conjunction with the forthcoming release of the group's Warner Brothers' debut, "All In The Name Of Love". You could, as they say, have knocked me down with a pennyfeather ? or some kind of feather!

The phone rings at exactly 2:30pm on a sunny L.A. afternoon, and for any interview to begin precisely on time is, to say the least, unusual. On the other end of the line is Reginald McArthur, lead singer of The Controllers, the Alabama-based group whose recording career began in 1975 with the ever-soulful "Somebody's Gotta Win, Somebody's Gotta Lose".
Minutes later, we're joined by baritone Lenard Brown for a three-way conversation centred around the release of the quartet's first album for Capitol Records, appropriately entitled, "Just In Time".

Maybe we're not in the mood for message records right now. Even so, "Crack Killed Applejack" is a powerfully persuasive insight into the tragedy of American basketball star Len Bias, who, after a distinguished high school record, becomes addicted to crack, thereby ruining his life. It eventually killed him.

In many circles, Bernie Worrell needs no introduction. From his work as a founding member and Musical Director of Parliament-Funkadelic to his contributions to the Talking Heads, Worrell has been inducted into the Rock and Roll Hall of Fame. Indeed, songs such as “Burning Down the House” and “Flashlight” wouldn’t have been the same without him, and Worrell’s keyboard prowess has only grown since those classic recordings. As one of the most sampled musicians in history, Worrell’s funky licks have graced hit songs by Dr. Dre, Snoop Dog, Ice Cube, En Vogue and more. “One generation needs to segue to the next generation. So now I work with the sons and daughters, and we coincide.”


Interview by Scott Preston read more on Cincy Groove