The group name Slave has been with us a long time but not necessarily so the new personnel and the new direction. However, latest recruit Keith Nash explains why the 'new' Slave are ready to carry on the tradition.
MUSIC
was far from Mary Davis' mind when we sat down to mega-chat just
recently. The remainder of the SOS Band were off doing their own thing
leaving The Two Davises to chat over sandwiches and coffee.
With a succession of specialist radio and club anthems ("Keep Your Body Working". "Get Tough"' "Intimate Connection" etc. having made Kleeer one of the most consistently acclaimed American funk outfits on the thriving early eighties UK soul scene,
As his official Geffen Records' bio states, "John White sings with the authority and control of some of R&B's finest vocalists ..." and after listening to the gentleman's debut LP, "Night People", it would be tough to disagree.
If you've been a funk lover for at least ten years, you will no doubt remember George and Louis as the two brothers who got you out on the dance floor with a string of hits for A&M that included "I'll Be Good To You", "Get The Funk Out My Face", "Ain't We Funkin' Now", "Stomp!" and "Light Up The Night".
Currently unattached, he adds that although he welcomes the attention
of young ladies who show romantic interest, "I'm from the old school,
an old-fashioned kind of guy so I can handle myself in the proper way.
Right now though, I'd say my career is my biggest priority I'll deal
with romance later!"
Master drummer/producer Norman Connors has been away from the recording scene for almost six years now but out of studio doesn't mean out work. The man who first brought the likes of Phyllis Hyman, Michael Henderson and Glenn Jones to public attention vai his mid-Seventies albums for Arista and Buddah is quick to point out that he's been performing pretty consistently throughout that time.