FINDING out that Atlantic Starr? whose music has marked them as a real staple in anyone's black music diet for the past 9 years ? have only ever had one gold album came as a shock to me when keyboardists Jonathan Lewis revealed that very information during the course of our recent interview, held in conjunction with the forthcoming release of the group's Warner Brothers' debut, "All In The Name Of Love". You could, as they say, have knocked me down with a pennyfeather ? or some kind of feather!

AFTER a long hiatus and a label change, Steve Arrington is back in the land of the recorded living! The ex-front man for Slave marks his switch from Atlantic/Cotillion to Manhattan with what most critics feel is his best and, even more importantly, his most commercial effort yet "jam Packed".

BELIEVE me, it's just a matter of time before Glenn Jones breaks through and enters the proverbial winner's circle for life! I've been saying this for two years now and felt it was timely now that RCA has just released Glenn's third LP, entitled "Take It From Me".

IT'S been three years since her last album . . . but now she's back! "Watch Out" is the title of the new album and single and judging by the response so far, both will be big sellers. Yes indeed, Patrice Rushen has returned with a vengeance. The album, incidentally, is all her own work except for three tracks ? "Somewhere", "Anything Can Happen" and "Long Time Comin'" ? and the project is a direct cross between dance and ballad.

It is safe to say that, if sheer talent and vocal ability, was ever the true yardstick of an artist?s popularity someone like David Sea would be massive, a worldwide musical phenomenon.

However, as I?m sure you know, the world of soul music is littered with talented figures who have not had the recognition their special gifts merited and, without indulging oneself in that age old myth about suffering and ?paying ones dues?. The life of David Sea is one of the definitive soul survivor, a remarkable vocalist, remaining faithful to his roots despite any setbacks or negatives that the world could throw out.

Let's go back to October 1986 to see what's happening in the music business those days. These Liners are from a populair magazine from the UK.

MUSIC was far from Mary Davis' mind when we sat down to mega-chat just recently. The remainder of the SOS Band were off doing their own thing leaving The Two Davises to chat over sandwiches and coffee.
Mary is a freindly, charming lady and, despite the relatively early hour, she looked as if she had just stepped out of a photo session. My sweatshirt was no match for her silk! With Mary and the band spending so much time touring, it wasn't surprising to learn that London was one of her favourite places.

  IT WAS Friday the Thirteenth so it was logical to expect something would go wrong. But happily all was not lost because, after a period of total confusion. I did get to speak to a temptin' Temptation — Richard Street. And boy, was he heavy in cold! He'd been suffering for three days but had so far managed to keep it to himself — and this was despite have a flu shot before leaving America!
Anyhow, The Temptations are touring here, as if you needed me to tell you, and to coincide their new single "All I Want From You" has been released, taken from their super "Special" album. And I mean it is a super release, a pot pourri of music, with tracks appealing to all ages. Maybe not so much of The Temptations' sound though. Richard said this was largely due to the producers.
"We used different producers here and some were only in their twenties. That's the way the record company wanted us to go. The producers were fans of the group and maybe the result isn't exactly what people expected.

IF predictions were my line, Motown's newest signing Stacy Lattisaw could, in time, become a serious threat to the likes of Teena Marie and Janet Jackson. She was, to all intents and purposes, quite a surprising addition to the Motown family because prior to this, very little had been heard about the nineteen year old singer.

To say Freddie Jackson is at the cross roads of his career would be something of an understatement. As far as cross roads go, Freddie's reached his spaghetti junction    .. . in the rush hour! A slew of silky smooth hits in the eighties, kick started with undoubtedly his best collection to date, the two million selling "Rock Me Tonight" in '85, which of course, contained the monstrous title track along with the likes of "Calling" and "You Are My Lady", has, over the course of nine years and five albums gradually slowed down along with record sales. As the era for the smooth candlelight and champagne crooners in the '80's has given way for the riff happy, baggy jeans, bandana and Timberland hip-hop/soul homies in the '90's, naturally many of the older guard have been left concerned with the change of pace of their careers.

" WHEN Club Nouveau first hit the scene at the end of last year, the pundits were quick to dub them copycats of the Timex Social Club, whose "Rumors" hit was one of last summer's biggest and perhaps most unexpected. So, let's put the record straight here and now by pointing out that Club's leader, Jay King, was in fact the man behind Timex Social Club and "Rumors". However, as soon as "Rumors" made its staggering climb to the top, Timex fell apart ? literally! In fact, at the time of this writing, I'm not even sure if the group actually exists any longer.

You know, it's been fourteen years since "If Loving You Is Wrong" and something like nine years since we last had an album from Luther Ingram. And yet, after one listen to Luther's new album (rather unimaginatively tagged "Luther Ingram"), it's as if the crooner has never been away. But he has!