Read the success story of Colonel Abrams trapped. It's an interview
that Colonel Abrams gave for Blues and Soul magazine in 1985.
AFTER a long hiatus and a label change, Steve Arrington is
back in the land of the recorded living! The ex-front man for
Slave marks his
switch from Atlantic/Cotillion to Manhattan with what most critics feel
is his best and, even more importantly, his most commercial effort yet
"jam Packed".
OFTEN, when a lead vocalist leaves a successful group, it comes as
surprise to the rest of the world. However, there are usually very
strong underlying reasons that simply didn't come to the attention of
the public. Certainly, that was true of the Lionel
Richie-Commodores and Jeffrey Osborne-LTD
splits. And, to a lesser degree, it's the case in the {safm}Howard
Hewett{/safm}-Shalamar parting of ways.
MUSIC
was far from Mary Davis' mind when we sat down to mega-chat just
recently. The remainder of the SOS Band were off doing their own thing
leaving The Two Davises to chat over sandwiches and coffee.
IN THE music industry it seems that new forms of music are competiting against old. Take Hip Hop for example. R&B artists dis hip hoppers, jazz vocalists poke fun at rhymes and drum machines. Nobody seems to like each other .. .or do they?
The phone rings at exactly 2:30pm on a sunny L.A. afternoon, and for any interview to begin precisely on time is, to say the least, unusual. On the other end of the line is Reginald McArthur, lead singer of The Controllers, the Alabama-based group whose recording career began in 1975 with the ever-soulful "Somebody's Gotta Win, Somebody's Gotta Lose".