IF THEY aren't already, pretty soon Akron, Ohio based Heat Records will
become known as a company adept at turning out stunning ballads what
with first the superb album from Frederick, then the fine just The Two
Of Us single from Johnston Brown & Janice Dowlen and now a
consistent follow-up to Ivy's debut LP in 1984 with "Ivy II".
With a succession of specialist radio and club anthems ("Keep Your Body Working". "Get Tough"' "Intimate Connection" etc. having made Kleeer one of the most consistently acclaimed American funk outfits on the thriving early eighties UK soul scene,
You may be forgiven if you think 'Deja' has a sort of familiar ring.
The name may be new, but the duo boast a partnership spanning more than
ten years. And though the name alludes to something we've seen before,
Curt Jones and Starleanna Young are looking forward to the future, not
back to the past. Dropping the name Aurra is a positive move to
exorcise ghosts from the past, and start afresh with a whole new sound.
IF
predictions were my line, Motown's newest signing Stacy Lattisaw could,
in time, become a serious threat to the likes of Teena Marie and Janet
Jackson. She was, to all intents and purposes, quite a surprising
addition to the Motown family because prior to this, very little had
been heard about the nineteen year old singer. With "Nail It To The
Wall" showing healthy signs of becoming a hit, Stacy's debut album
"Take Me All The Way" is set for UK release next month - and what a
stunner that is too! However, before getting to that, a few facts and
figures. 
Rick was a musical prodigy, producing records when he was 16 years old instead of going to school. He and Harry Wayne Casey (KC) worked at TK Records in Miami, where they joined forces to write and record five #1 hits as KC and the Sunshine Band. Two white guys with a black rhythm section, they shaped the sound of what would become known as Disco. Here's how it happened. Read the full interview on Songfacts.com
Master drummer/producer Norman Connors has been away from the recording scene for almost six years now but out of studio doesn't mean out work. The man who first brought the likes of Phyllis Hyman, Michael Henderson and Glenn Jones to public attention vai his mid-Seventies albums for Arista and Buddah is quick to point out that he's been performing pretty consistently throughout that time.