When B&S last spoke to Lanier & Co back in February of last
year (was it really that long ago?!), the group were hoping that their
third single for Willie Mitchell's Waylo label would be the one. While
"Dancing In The Night" can't really be regarded as a hit in terms of
the small U.K. market (having peaked outside of the Top 75 at No.78) it
has at least brought them to the attention of a major label in EMI.
Hopefully the single is selling sufficiently well to convince EMI to go
with a follow-up, and maybe their now-completed album as well.
IF
predictions were my line, Motown's newest signing Stacy Lattisaw could,
in time, become a serious threat to the likes of Teena Marie and Janet
Jackson. She was, to all intents and purposes, quite a surprising
addition to the Motown family because prior to this, very little had
been heard about the nineteen year old singer. With "Nail It To The
Wall" showing healthy signs of becoming a hit, Stacy's debut album
"Take Me All The Way" is set for UK release next month - and what a
stunner that is too! However, before getting to that, a few facts and
figures.
As his official Geffen Records' bio states, "John White sings with the authority and control of some of R&B's finest vocalists ..." and after listening to the gentleman's debut LP, "Night People", it would be tough to disagree.
IF THEY aren't already, pretty soon Akron, Ohio based Heat Records will
become known as a company adept at turning out stunning ballads what
with first the superb album from Frederick, then the fine just The Two
Of Us single from Johnston Brown & Janice Dowlen and now a
consistent follow-up to Ivy's debut LP in 1984 with "Ivy II".
Read the success story of Colonel Abrams trapped. It's an interview
that Colonel Abrams gave for Blues and Soul magazine in 1985.
IF predictions were my line, Motown's newest signing Stacy Lattisaw
could, in time, become a serious threat to the likes of Teena Marie and
Janet Jackson. She was, to all intents and purposes, quite a surprising
addition to the Motown family because prior to this, very little had
been heard about the nineteen year old singer.

Rick was a musical prodigy, producing records when he was 16 years old instead of going to school. He and Harry Wayne Casey (KC) worked at TK Records in Miami, where they joined forces to write and record five #1 hits as KC and the Sunshine Band. Two white guys with a black rhythm section, they shaped the sound of what would become known as Disco. Here's how it happened. Read the full interview on Songfacts.com