THE timing certainly seems ripe for some changes in the Maze camp. It was obvious with the release of a second "live" album set that
everything was not A-OK with Frankie Beverly and his Maze cohorts.
However, let's first of all dispel the rumour that circulates the most when the names of Frankie and Maze are mentioned. No Beverly solo run!

OFTEN, when a lead vocalist leaves a successful group, it comes as surprise to the rest of the world. However, there are usually very strong underlying reasons that simply didn't come to the attention of the public. Certainly, that was true of the Lionel Richie-Commodores and Jeffrey Osborne-LTD splits. And, to a lesser degree, it's the case in the {safm}Howard Hewett{/safm}-Shalamar parting of ways.

Maybe we're not in the mood for message records right now. Even so, "Crack Killed Applejack" is a powerfully persuasive insight into the tragedy of American basketball star Len Bias, who, after a distinguished high school record, becomes addicted to crack, thereby ruining his life. It eventually killed him.

With "Love Or Physical", a splendid new album for Capitol Records, that perennial love duo Nick Ashford & Valerie Simpson are definitely back in gear. After a couple of years absence, during which time the couple (who have been married now for over fourteen years) gave birth to a daughter, Asia, Nick and Val are feeling great about their new product, especially since the first single, I'll Be There For You" is giving them one of their biggest U.S. hits in years.

 WHEN IT comes to making quality music, Angela Winbush is no slouch. As record buyers on both sides of the Atlantic discovered when the former member of the hit duo Rene & Angela released "Sharp", her first solo LP, in 1987, the lady's talent as a producer, songwriter and vocalist clearly put her in a class of her own.
Following the success of "Angel" (a No. 1 U.S. blackmusic hit) and subsequent singles such as "C'est Toi" and the super-soulful duet "Hello Beloved" (recorded with Ronald Isley of the legendary Isley Brothers, who is also Angela's personal manager), the St. Louis-born star has put her hit stamp on records by Sheena Easton, Stephanie Mills and The Isley Brothers.   

Let's go back to October 1986 to see what's happening in the music business those days. These Liners are from a populair magazine from the UK.

Read the success story of Colonel Abrams trapped. It's an interview that Colonel Abrams gave for Blues and Soul magazine in 1985.

Master drummer/producer Norman Connors has been away from the recording scene for almost six years now but out of studio doesn't mean out work. The man who first brought the likes of Phyllis Hyman, Michael Henderson and Glenn Jones to public attention vai his mid-Seventies albums for Arista and Buddah is quick to point out that he's been performing pretty consistently throughout that time.

This week I saw a nice interview with Teddy Riley in a music magazine of 1992.  He talks about  Michael Jackson, Guy, {safm}Bobby Brown{/safm} and the keyboards, drum computers he used in various New Jack Swing productions. A nice interview to read. Especially if you like Teddy Riley.

 Mark

The phone rings at exactly 2:30pm on a sunny L.A. afternoon, and for any interview to begin precisely on time is, to say the least, unusual. On the other end of the line is Reginald McArthur, lead singer of The Controllers, the Alabama-based group whose recording career began in 1975 with the ever-soulful "Somebody's Gotta Win, Somebody's Gotta Lose".
Minutes later, we're joined by baritone Lenard Brown for a three-way conversation centred around the release of the quartet's first album for Capitol Records, appropriately entitled, "Just In Time".

The group name Slave has been with us a long time but not necessarily so the new personnel and the new direction. However, latest recruit Keith Nash explains why the 'new' Slave are ready to carry on the tradition.

I 'm a totally nutty person. I even laugh  at my own jokes" giggled one of our newest chart singers, Vesta Williams. The lady may wound oh-so-serious on record, but when it comes to interviews she's a different person entirely.