WHILE,
as a family group, Mason have that fact in common with the likes of the
Jacksons, Pointers and Isleys, they have one further common factor with
the Wilson Brothers, a.k.a. the Gap Band. Both families hail from the
unlikely city of Tulsa, Oklahoma.
IF predictions were my line, Motown's newest signing Stacy Lattisaw
could, in time, become a serious threat to the likes of Teena Marie and
Janet Jackson. She was, to all intents and purposes, quite a surprising
addition to the Motown family because prior to this, very little had
been heard about the nineteen year old singer.
Master drummer/producer Norman Connors has been away from the recording scene for almost six years now but out of studio doesn't mean out work. The man who first brought the likes of Phyllis Hyman, Michael Henderson and Glenn Jones to public attention vai his mid-Seventies albums for Arista and Buddah is quick to point out that he's been performing pretty consistently throughout that time.
OFTEN, when a lead vocalist leaves a successful group, it comes as
surprise to the rest of the world. However, there are usually very
strong underlying reasons that simply didn't come to the attention of
the public. Certainly, that was true of the Lionel
Richie-Commodores and Jeffrey Osborne-LTD
splits. And, to a lesser degree, it's the case in the {safm}Howard
Hewett{/safm}-Shalamar parting of ways.
I 'm a totally nutty person. I even laugh at my own jokes" giggled one
of our newest chart singers, Vesta Williams. The lady may
wound oh-so-serious on record, but when it comes to interviews she's a
different person entirely.
The phone rings at exactly 2:30pm on a sunny L.A. afternoon, and for any interview to begin precisely on time is, to say the least, unusual. On the other end of the line is Reginald McArthur, lead singer of The Controllers, the Alabama-based group whose recording career began in 1975 with the ever-soulful "Somebody's Gotta Win, Somebody's Gotta Lose".
Rick was a musical prodigy, producing records when he was 16 years old instead of going to school. He and Harry Wayne Casey (KC) worked at TK Records in Miami, where they joined forces to write and record five #1 hits as KC and the Sunshine Band. Two white guys with a black rhythm section, they shaped the sound of what would become known as Disco. Here's how it happened. Read the full interview on Songfacts.com