"{safm}Peabo Bryson{/safm} was far more involved with this album than he was with "Take No Prisoners". That was a successful album but he felt his biggest successes have always come on his own. I think that my songs best reflect my personality and that's when I fell the most comfortable.

"U know, I just don't feel well enough for this interview. I mean ... my eyes are streaming, my head's spinning and my stomach is churning ? you're just not gonna get much of an interview out of me unless we talk about flu!"

{safm} Charlie Wilson{/safm}, Gap Band vocalist, is not a very happy man at the moment. First of all, he's got the flu which he'd been trying to sleep off until he was dragged out of bed for our chat. Then it's only hours before they're on stage for theii one and only promotional performance here ? the Christmas Radio London Soul Night Out in Leicester Square. How is Charlie going to perform when he looks like death warmed up at the hotel?

If you've been a funk lover for at least ten years, you will no doubt remember George and Louis as the two brothers who got you out on the dance floor with a string of hits for A&M that included "I'll Be Good To You", "Get The Funk Out My Face", "Ain't We Funkin' Now", "Stomp!" and "Light Up The Night".

THE timing certainly seems ripe for some changes in the Maze camp. It was obvious with the release of a second "live" album set that
everything was not A-OK with Frankie Beverly and his Maze cohorts.
However, let's first of all dispel the rumour that circulates the most when the names of Frankie and Maze are mentioned. No Beverly solo run!

BELIEVE me, it's just a matter of time before Glenn Jones breaks through and enters the proverbial winner's circle for life! I've been saying this for two years now and felt it was timely now that RCA has just released Glenn's third LP, entitled "Take It From Me".

As his official Geffen Records' bio states, "John White sings with the authority and control of some of R&B's finest vocalists ..." and after listening to the gentleman's debut LP, "Night People", it would be tough to disagree.

Read the success story of Colonel Abrams trapped. It's an interview that Colonel Abrams gave for Blues and Soul magazine in 1985.

Master drummer/producer Norman Connors has been away from the recording scene for almost six years now but out of studio doesn't mean out work. The man who first brought the likes of Phyllis Hyman, Michael Henderson and Glenn Jones to public attention vai his mid-Seventies albums for Arista and Buddah is quick to point out that he's been performing pretty consistently throughout that time.

"  "I wanted to make the kind of Time records that I'd enjoyed so much. I didn't want to go with Jam and Lewis because I'd mentioned them to the record company before they became the Jam and Lewis we all know. At the time they said 'who the hell are Jam and Lewis' ? then, later, they started saying why don't I work with ... Jam and Lewis!

Pieces Of A Dream is emerging as a highly pertinent tag for the supremely talented group of musicians who create music under that banner.

For the generation of black music fans of the last decade, it has been a personal pleasure to watch this band emerge and develop 'before our very eyes', so to speak.

They came together as teenagers under the guiding hand of mentor Grover Washington Jr. (probably as big an inspiration as any for the enthusiast who's spread his wings wider than the commercial edge of the genre), and started playing a form of jazz that introduced all the musical aspects this generation has enjoyed into one sound. Pieces Of A Dream almost personified what — in this country at least — was considered best in black music, and they became as a mirror for the music's followers.

IF predictions were my line, Motown's newest signing Stacy Lattisaw could, in time, become a serious threat to the likes of Teena Marie and Janet Jackson. She was, to all intents and purposes, quite a surprising addition to the Motown family because prior to this, very little had been heard about the nineteen year old singer.

In many circles, Bernie Worrell needs no introduction. From his work as a founding member and Musical Director of Parliament-Funkadelic to his contributions to the Talking Heads, Worrell has been inducted into the Rock and Roll Hall of Fame. Indeed, songs such as “Burning Down the House” and “Flashlight” wouldn’t have been the same without him, and Worrell’s keyboard prowess has only grown since those classic recordings. As one of the most sampled musicians in history, Worrell’s funky licks have graced hit songs by Dr. Dre, Snoop Dog, Ice Cube, En Vogue and more. “One generation needs to segue to the next generation. So now I work with the sons and daughters, and we coincide.”


Interview by Scott Preston read more on Cincy Groove