Read the success story of Colonel Abrams trapped. It's an interview
that Colonel Abrams gave for Blues and Soul magazine in 1985.
It's not very often that a group hits the top spot on any chart with
their first record but Levert (Sean and Gerald Levert and Marc Gordon)
did just that last year with "(Pop, Pop, Pop) Goes My Mind" when the
record, taken from their debut album entitled "Bloodline", became a
black music No. 1. A little over a year later, with a solid stint on
the road behind them, Levert are threatening to repeat their initial
success with "Casanova", the insistent, hypnotic ditty produced by
Reggie Calloway.
AFTER a long hiatus and a label change, Steve Arrington is
back in the land of the recorded living! The ex-front man for
Slave marks his
switch from Atlantic/Cotillion to Manhattan with what most critics feel
is his best and, even more importantly, his most commercial effort yet
"jam Packed".
To soul fans, and particularly Soul and Funk Music.com visitors, Alyson Williams is no newcomer. Featured on duets with Def Jam labelmates Tashan, Chuck Stanley and Oran 'Juice' Jones and part of the "Soul Songs" tour in 1987, the soulful lady left an indelible impression on European music lovers through her varying different musical excursions.
Master drummer/producer Norman Connors has been away from the recording scene for almost six years now but out of studio doesn't mean out work. The man who first brought the likes of Phyllis Hyman, Michael Henderson and Glenn Jones to public attention vai his mid-Seventies albums for Arista and Buddah is quick to point out that he's been performing pretty consistently throughout that time.
When B&S last spoke to Lanier & Co back in February of last
year (was it really that long ago?!), the group were hoping that their
third single for Willie Mitchell's Waylo label would be the one. While
"Dancing In The Night" can't really be regarded as a hit in terms of
the small U.K. market (having peaked outside of the Top 75 at No.78) it
has at least brought them to the attention of a major label in EMI.
Hopefully the single is selling sufficiently well to convince EMI to go
with a follow-up, and maybe their now-completed album as well.
To say Freddie Jackson is at the cross roads of his career would be something of an understatement. As far as cross roads go, Freddie's reached his spaghetti junction .. . in the rush hour! A slew of silky smooth hits in the eighties, kick started with undoubtedly his best collection to date, the two million selling "Rock Me Tonight" in '85, which of course, contained the monstrous title track along with the likes of "Calling" and "You Are My Lady", has, over the course of nine years and five albums gradually slowed down along with record sales. As the era for the smooth candlelight and champagne crooners in the '80's has given way for the riff happy, baggy jeans, bandana and Timberland hip-hop/soul homies in the '90's, naturally many of the older guard have been left concerned with the change of pace of their careers.