Gwen Guthrie, frustrated with the music industry in her native America has opted to find a new recording home here in the UK, with her single just released and album due to follow. B&S talks to the singer songwriter about her music and work with her local children's theatre group.

To say Freddie Jackson is at the cross roads of his career would be something of an understatement. As far as cross roads go, Freddie's reached his spaghetti junction    .. . in the rush hour! A slew of silky smooth hits in the eighties, kick started with undoubtedly his best collection to date, the two million selling "Rock Me Tonight" in '85, which of course, contained the monstrous title track along with the likes of "Calling" and "You Are My Lady", has, over the course of nine years and five albums gradually slowed down along with record sales. As the era for the smooth candlelight and champagne crooners in the '80's has given way for the riff happy, baggy jeans, bandana and Timberland hip-hop/soul homies in the '90's, naturally many of the older guard have been left concerned with the change of pace of their careers.

It's already almost a year ago that Gerald Levert died. For me he was the greatest male soul singer, producer of the ninetees till 2006. In the soul and funk music archive I found an interview from B&S with Gerald from 1994.  In that year he released his album Groove on.

Pieces Of A Dream is emerging as a highly pertinent tag for the supremely talented group of musicians who create music under that banner.

For the generation of black music fans of the last decade, it has been a personal pleasure to watch this band emerge and develop 'before our very eyes', so to speak.

They came together as teenagers under the guiding hand of mentor Grover Washington Jr. (probably as big an inspiration as any for the enthusiast who's spread his wings wider than the commercial edge of the genre), and started playing a form of jazz that introduced all the musical aspects this generation has enjoyed into one sound. Pieces Of A Dream almost personified what — in this country at least — was considered best in black music, and they became as a mirror for the music's followers.

The phone rings at exactly 2:30pm on a sunny L.A. afternoon, and for any interview to begin precisely on time is, to say the least, unusual. On the other end of the line is Reginald McArthur, lead singer of The Controllers, the Alabama-based group whose recording career began in 1975 with the ever-soulful "Somebody's Gotta Win, Somebody's Gotta Lose".
Minutes later, we're joined by baritone Lenard Brown for a three-way conversation centred around the release of the quartet's first album for Capitol Records, appropriately entitled, "Just In Time".

Rick was a musical prodigy, producing records when he was 16 years old instead of going to school. He and Harry Wayne Casey (KC) worked at TK Records in Miami, where they joined forces to write and record five #1 hits as KC and the Sunshine Band. Two white guys with a black rhythm section, they shaped the sound of what would become known as Disco. Here's how it happened. Read the full interview on Songfacts.com

"We try not to be analytical", say David Frank and Mic Murphy, better known as The System. "We reckon all things must be equal and, when our time comes, we'll drink the wine".

AFTER a long hiatus and a label change, Steve Arrington is back in the land of the recorded living! The ex-front man for Slave marks his switch from Atlantic/Cotillion to Manhattan with what most critics feel is his best and, even more importantly, his most commercial effort yet "jam Packed".

"  "I wanted to make the kind of Time records that I'd enjoyed so much. I didn't want to go with Jam and Lewis because I'd mentioned them to the record company before they became the Jam and Lewis we all know. At the time they said 'who the hell are Jam and Lewis' ? then, later, they started saying why don't I work with ... Jam and Lewis!

Let's go back to October 1986 to see what's happening in the music business those days. These Liners are from a populair magazine from the UK.

JUST in case there are still people who have yet to hear the news Shirley Jones is back in the fast lane and moving up through the gears like Nigel Man sell on a good day! The former The Jones Girls who, with sisters Brenda and Valerie, endeared themselves to a generation via their unique mellifluous soulful vocals as showcased on such classic tracks as "You're Gonna Make Me Love Somebody Else" and "Nights Over Egypt" was reaping instantaneous rewards following the release of her debut solo album "Always In The Mood" and the initial offshoot single "Do You Get Enough Love".

I'd say my new album is all about getting to basics, back to square one, to what people want to hear from me." So says Stephanie Mills and the young lady's got a valid point, given that her current single "I Feel Good All Over" is truly leaping up the black music charts in the States and her album, "If I Were Your Woman" is turning into one of her biggest sellers.