AFTER a long hiatus and a label change, Steve Arrington is
back in the land of the recorded living! The ex-front man for
Slave marks his
switch from Atlantic/Cotillion to Manhattan with what most critics feel
is his best and, even more importantly, his most commercial effort yet
"jam Packed".
To say Freddie Jackson is at the cross roads of his career would be something of an understatement. As far as cross roads go, Freddie's reached his spaghetti junction .. . in the rush hour! A slew of silky smooth hits in the eighties, kick started with undoubtedly his best collection to date, the two million selling "Rock Me Tonight" in '85, which of course, contained the monstrous title track along with the likes of "Calling" and "You Are My Lady", has, over the course of nine years and five albums gradually slowed down along with record sales. As the era for the smooth candlelight and champagne crooners in the '80's has given way for the riff happy, baggy jeans, bandana and Timberland hip-hop/soul homies in the '90's, naturally many of the older guard have been left concerned with the change of pace of their careers.
FINDING out that Atlantic Starr? whose music has marked them as a real
staple in anyone's black music diet for the past 9 years ? have only
ever had one gold album came as a shock to me when keyboardists
Jonathan Lewis revealed that very information during the course of our
recent interview, held in conjunction with the forthcoming release of
the group's Warner Brothers' debut, "All In The Name Of Love". You
could, as they say, have knocked me down with a pennyfeather ? or some
kind of feather!
HOW time flies! Do you realise that it's been two years since the last
Mtume album, "You, Me And He"? On the other hand it probably has taken
the gifted one that amount of time to really create his just-released
"Theater Of The Mind" concept album ? a veritable musical masterpiece!
"Not quite," he smiles. "But it took more than seven months of working
fifteen-sixteen hours a day, seven days a week. In fact, it got to the
point where I built myself a little apartment above the studio!

Rick was a musical prodigy, producing records when he was 16 years old instead of going to school. He and Harry Wayne Casey (KC) worked at TK Records in Miami, where they joined forces to write and record five #1 hits as KC and the Sunshine Band. Two white guys with a black rhythm section, they shaped the sound of what would become known as Disco. Here's how it happened. Read the full interview on Songfacts.com
As his official Geffen Records' bio states, "John White sings with the authority and control of some of R&B's finest vocalists ..." and after listening to the gentleman's debut LP, "Night People", it would be tough to disagree.