OFTEN, when a lead vocalist leaves a successful group, it comes as
surprise to the rest of the world. However, there are usually very
strong underlying reasons that simply didn't come to the attention of
the public. Certainly, that was true of the Lionel
Richie-Commodores and Jeffrey Osborne-LTD
splits. And, to a lesser degree, it's the case in the {safm}Howard
Hewett{/safm}-Shalamar parting of ways.
To soul fans, and particularly Soul and Funk Music.com visitors, Alyson Williams is no newcomer. Featured on duets with Def Jam labelmates Tashan, Chuck Stanley and Oran 'Juice' Jones and part of the "Soul Songs" tour in 1987, the soulful lady left an indelible impression on European music lovers through her varying different musical excursions.
The phone rings at exactly 2:30pm on a sunny L.A. afternoon, and for any interview to begin precisely on time is, to say the least, unusual. On the other end of the line is Reginald McArthur, lead singer of The Controllers, the Alabama-based group whose recording career began in 1975 with the ever-soulful "Somebody's Gotta Win, Somebody's Gotta Lose".
"SO,
WHAT'S in a name? Well, maybe that depends on what particular career
you happen to be pursuing. What, I wonder, would have happened to Tina
Turner had she pursued her professional career under her real name
Annie Mae Bullock or Edwin Starr who entered this mortal coil in
January 1942 under a Charles Hatcher monniker. Possibly the results
would have remained the same, but you never do know. Is it First Circle or Full Circle?.
IN THE music industry it seems that new forms of music are competiting against old. Take Hip Hop for example. R&B artists dis hip hoppers, jazz vocalists poke fun at rhymes and drum machines. Nobody seems to like each other .. .or do they?