"{safm}Peabo Bryson{/safm} was far more involved with this album than he was with "Take No Prisoners". That was a successful album but he felt his biggest successes have always come on his own. I think that my songs best reflect my personality and that's when I fell the most comfortable.

Alexander O' Neal is undoubtedly one of our music's "Mr Nice Guy" contenders ? a man of enormous talent but whose feet remain firmly planted on the ground.
While stardom may have its attractions, Alexander is more concerned with being a good father to his children and bringing them up to fully exploit whatever talents they might possess but, at the same time, temper any resultant success with all due humility.

FINDING out that Atlantic Starr? whose music has marked them as a real staple in anyone's black music diet for the past 9 years ? have only ever had one gold album came as a shock to me when keyboardists Jonathan Lewis revealed that very information during the course of our recent interview, held in conjunction with the forthcoming release of the group's Warner Brothers' debut, "All In The Name Of Love". You could, as they say, have knocked me down with a pennyfeather ? or some kind of feather!

In many circles, Bernie Worrell needs no introduction. From his work as a founding member and Musical Director of Parliament-Funkadelic to his contributions to the Talking Heads, Worrell has been inducted into the Rock and Roll Hall of Fame. Indeed, songs such as “Burning Down the House” and “Flashlight” wouldn’t have been the same without him, and Worrell’s keyboard prowess has only grown since those classic recordings. As one of the most sampled musicians in history, Worrell’s funky licks have graced hit songs by Dr. Dre, Snoop Dog, Ice Cube, En Vogue and more. “One generation needs to segue to the next generation. So now I work with the sons and daughters, and we coincide.”


Interview by Scott Preston read more on Cincy Groove

Pieces Of A Dream is emerging as a highly pertinent tag for the supremely talented group of musicians who create music under that banner.

For the generation of black music fans of the last decade, it has been a personal pleasure to watch this band emerge and develop 'before our very eyes', so to speak.

They came together as teenagers under the guiding hand of mentor Grover Washington Jr. (probably as big an inspiration as any for the enthusiast who's spread his wings wider than the commercial edge of the genre), and started playing a form of jazz that introduced all the musical aspects this generation has enjoyed into one sound. Pieces Of A Dream almost personified what — in this country at least — was considered best in black music, and they became as a mirror for the music's followers.

I'd say my new album is all about getting to basics, back to square one, to what people want to hear from me." So says Stephanie Mills and the young lady's got a valid point, given that her current single "I Feel Good All Over" is truly leaping up the black music charts in the States and her album, "If I Were Your Woman" is turning into one of her biggest sellers.

  IT WAS Friday the Thirteenth so it was logical to expect something would go wrong. But happily all was not lost because, after a period of total confusion. I did get to speak to a temptin' Temptation — Richard Street. And boy, was he heavy in cold! He'd been suffering for three days but had so far managed to keep it to himself — and this was despite have a flu shot before leaving America!
Anyhow, The Temptations are touring here, as if you needed me to tell you, and to coincide their new single "All I Want From You" has been released, taken from their super "Special" album. And I mean it is a super release, a pot pourri of music, with tracks appealing to all ages. Maybe not so much of The Temptations' sound though. Richard said this was largely due to the producers.
"We used different producers here and some were only in their twenties. That's the way the record company wanted us to go. The producers were fans of the group and maybe the result isn't exactly what people expected.

  Lucky fellow Scott Preston interviewed Emilio Castillo from Tower of Power.

No matter who you are, where you live, or your taste in music, Tower of Power will find you. And once that happens, it's all over. You will come to believe not only that soul music is the salvation of us all, but that Tower of Power is one of those rare bands who can claim to be the real deal, 100 proof, aged-to-perfection, ground zero Soul. And the thing is, they're everywhere now.

Who's next?

Interview by Scott Preston  read more on  Cincy Groove

BELIEVE me, it's just a matter of time before Glenn Jones breaks through and enters the proverbial winner's circle for life! I've been saying this for two years now and felt it was timely now that RCA has just released Glenn's third LP, entitled "Take It From Me".

WHILE, as a family group, Mason have that fact in common with the likes of the Jacksons, Pointers and Isleys, they have one further common factor with the Wilson Brothers, a.k.a. the Gap Band. Both families hail from the unlikely city of Tulsa, Oklahoma.

Master drummer/producer Norman Connors has been away from the recording scene for almost six years now but out of studio doesn't mean out work. The man who first brought the likes of Phyllis Hyman, Michael Henderson and Glenn Jones to public attention vai his mid-Seventies albums for Arista and Buddah is quick to point out that he's been performing pretty consistently throughout that time.

It's not very often that a group hits the top spot on any chart with their first record but Levert (Sean and Gerald Levert and Marc Gordon) did just that last year with "(Pop, Pop, Pop) Goes My Mind" when the record, taken from their debut album entitled "Bloodline", became a black music No. 1. A little over a year later, with a solid stint on the road behind them, Levert are threatening to repeat their initial success with "Casanova", the insistent, hypnotic ditty produced by Reggie Calloway.