You may be forgiven if you think 'Deja' has a sort of familiar ring.
The name may be new, but the duo boast a partnership spanning more than
ten years. And though the name alludes to something we've seen before,
Curt Jones and Starleanna Young are looking forward to the future, not
back to the past. Dropping the name Aurra is a positive move to
exorcise ghosts from the past, and start afresh with a whole new sound.
The phone rings at exactly 2:30pm on a sunny L.A. afternoon, and for any interview to begin precisely on time is, to say the least, unusual. On the other end of the line is Reginald McArthur, lead singer of The Controllers, the Alabama-based group whose recording career began in 1975 with the ever-soulful "Somebody's Gotta Win, Somebody's Gotta Lose".
It's not very often that a group hits the top spot on any chart with
their first record but Levert (Sean and Gerald Levert and Marc Gordon)
did just that last year with "(Pop, Pop, Pop) Goes My Mind" when the
record, taken from their debut album entitled "Bloodline", became a
black music No. 1. A little over a year later, with a solid stint on
the road behind them, Levert are threatening to repeat their initial
success with "Casanova", the insistent, hypnotic ditty produced by
Reggie Calloway.
With a succession of specialist radio and club anthems ("Keep Your Body Working". "Get Tough"' "Intimate Connection" etc. having made Kleeer one of the most consistently acclaimed American funk outfits on the thriving early eighties UK soul scene,
FINDING out that Atlantic Starr? whose music has marked them as a real
staple in anyone's black music diet for the past 9 years ? have only
ever had one gold album came as a shock to me when keyboardists
Jonathan Lewis revealed that very information during the course of our
recent interview, held in conjunction with the forthcoming release of
the group's Warner Brothers' debut, "All In The Name Of Love". You
could, as they say, have knocked me down with a pennyfeather ? or some
kind of feather!
AFTER a long hiatus and a label change, Steve Arrington is
back in the land of the recorded living! The ex-front man for
Slave marks his
switch from Atlantic/Cotillion to Manhattan with what most critics feel
is his best and, even more importantly, his most commercial effort yet
"jam Packed".
The group name Slave has been with us a long time but not necessarily so the new personnel and the new direction. However, latest recruit Keith Nash explains why the 'new' Slave are ready to carry on the tradition.