OFTEN, when a lead vocalist leaves a successful group, it comes as surprise to the rest of the world. However, there are usually very strong underlying reasons that simply didn't come to the attention of the public. Certainly, that was true of the Lionel Richie-Commodores and Jeffrey Osborne-LTD splits. And, to a lesser degree, it's the case in the {safm}Howard Hewett{/safm}-Shalamar parting of ways.

MUSIC was far from Mary Davis' mind when we sat down to mega-chat just recently. The remainder of the SOS Band were off doing their own thing leaving The Two Davises to chat over sandwiches and coffee.
Mary is a freindly, charming lady and, despite the relatively early hour, she looked as if she had just stepped out of a photo session. My sweatshirt was no match for her silk! With Mary and the band spending so much time touring, it wasn't surprising to learn that London was one of her favourite places.

The phone rings at exactly 2:30pm on a sunny L.A. afternoon, and for any interview to begin precisely on time is, to say the least, unusual. On the other end of the line is Reginald McArthur, lead singer of The Controllers, the Alabama-based group whose recording career began in 1975 with the ever-soulful "Somebody's Gotta Win, Somebody's Gotta Lose".
Minutes later, we're joined by baritone Lenard Brown for a three-way conversation centred around the release of the quartet's first album for Capitol Records, appropriately entitled, "Just In Time".

THE timing certainly seems ripe for some changes in the Maze camp. It was obvious with the release of a second "live" album set that
everything was not A-OK with Frankie Beverly and his Maze cohorts.
However, let's first of all dispel the rumour that circulates the most when the names of Frankie and Maze are mentioned. No Beverly solo run!

WHILE, as a family group, Mason have that fact in common with the likes of the Jacksons, Pointers and Isleys, they have one further common factor with the Wilson Brothers, a.k.a. the Gap Band. Both families hail from the unlikely city of Tulsa, Oklahoma.

"{safm}Peabo Bryson{/safm} was far more involved with this album than he was with "Take No Prisoners". That was a successful album but he felt his biggest successes have always come on his own. I think that my songs best reflect my personality and that's when I fell the most comfortable.

Maybe we're not in the mood for message records right now. Even so, "Crack Killed Applejack" is a powerfully persuasive insight into the tragedy of American basketball star Len Bias, who, after a distinguished high school record, becomes addicted to crack, thereby ruining his life. It eventually killed him.

To say Freddie Jackson is at the cross roads of his career would be something of an understatement. As far as cross roads go, Freddie's reached his spaghetti junction    .. . in the rush hour! A slew of silky smooth hits in the eighties, kick started with undoubtedly his best collection to date, the two million selling "Rock Me Tonight" in '85, which of course, contained the monstrous title track along with the likes of "Calling" and "You Are My Lady", has, over the course of nine years and five albums gradually slowed down along with record sales. As the era for the smooth candlelight and champagne crooners in the '80's has given way for the riff happy, baggy jeans, bandana and Timberland hip-hop/soul homies in the '90's, naturally many of the older guard have been left concerned with the change of pace of their careers.

The interviews in this section are from all kind of magazines or other sources from the 80s, 90s. Via this site I would share them with you. On almost all the interviews the original source is mentioned.

IN WHAT could justifiably be called their third incarnation, perennial favourites Kool & The Gang have undergone a pretty major personnel change. With the departure of James "J.T" Taylor, the group have drafted in not one, but THREE lead vocalists. As Robert "Kool" Bell, Dennis "D.T." Thomas and one of the group's new additions, Gary Brown reveal, the veritable musical institution is now in transition.
"With three different vocalists, we can pursue three different musical directions," says D.T. "We had our first decade which was a lot of musical experimentation with a lot of emphasis on a more instrumental sound and then the second phase which featured J.T.'s vocals and now we're taking both those elements and putting them together for this new cycle."   

 WHEN IT comes to making quality music, Angela Winbush is no slouch. As record buyers on both sides of the Atlantic discovered when the former member of the hit duo Rene & Angela released "Sharp", her first solo LP, in 1987, the lady's talent as a producer, songwriter and vocalist clearly put her in a class of her own.
Following the success of "Angel" (a No. 1 U.S. blackmusic hit) and subsequent singles such as "C'est Toi" and the super-soulful duet "Hello Beloved" (recorded with Ronald Isley of the legendary Isley Brothers, who is also Angela's personal manager), the St. Louis-born star has put her hit stamp on records by Sheena Easton, Stephanie Mills and The Isley Brothers.   

"I Must Not Be Kinky" is the intriguing title of a new four track mini album from Tina Harris, a white R&B singer who has been working in and around the Los Angeles area for a few years. The mini album is released on Shanachie Records and includes one song produced by Lenny White and another two written by Bus Boys leader Kevin O'Neal.