Read the success story of Colonel Abrams trapped. It's an interview
that Colonel Abrams gave for Blues and Soul magazine in 1985.
OFTEN, when a lead vocalist leaves a successful group, it comes as
surprise to the rest of the world. However, there are usually very
strong underlying reasons that simply didn't come to the attention of
the public. Certainly, that was true of the Lionel
Richie-Commodores and Jeffrey Osborne-LTD
splits. And, to a lesser degree, it's the case in the {safm}Howard
Hewett{/safm}-Shalamar parting of ways.
IN THE music industry it seems that new forms of music are competiting against old. Take Hip Hop for example. R&B artists dis hip hoppers, jazz vocalists poke fun at rhymes and drum machines. Nobody seems to like each other .. .or do they?
MUSIC
was far from Mary Davis' mind when we sat down to mega-chat just
recently. The remainder of the SOS Band were off doing their own thing
leaving The Two Davises to chat over sandwiches and coffee.
Rick was a musical prodigy, producing records when he was 16 years old instead of going to school. He and Harry Wayne Casey (KC) worked at TK Records in Miami, where they joined forces to write and record five #1 hits as KC and the Sunshine Band. Two white guys with a black rhythm section, they shaped the sound of what would become known as Disco. Here's how it happened. Read the full interview on Songfacts.com
Master drummer/producer Norman Connors has been away from the recording scene for almost six years now but out of studio doesn't mean out work. The man who first brought the likes of Phyllis Hyman, Michael Henderson and Glenn Jones to public attention vai his mid-Seventies albums for Arista and Buddah is quick to point out that he's been performing pretty consistently throughout that time.
"AFTER
a series of near misses during his Arista years, 35-year-old {safm}Jeff
Lorber{/safm} has attained that elusive crossover hit first time out on
Warner
Brothers. "Facts Of Love" is the record and it not only provides Jeff
with a slab of gold, it also welcomes two exciting new vocal talents to
an unsuspecting world ? Karyn White and Michael Jeffries.
The phone rings at exactly 2:30pm on a sunny L.A. afternoon, and for any interview to begin precisely on time is, to say the least, unusual. On the other end of the line is Reginald McArthur, lead singer of The Controllers, the Alabama-based group whose recording career began in 1975 with the ever-soulful "Somebody's Gotta Win, Somebody's Gotta Lose".