IN THE music industry it seems that new forms of music are competiting against old. Take Hip Hop for example. R&B artists dis hip hoppers, jazz vocalists poke fun at rhymes and drum machines. Nobody seems to like each other .. .or do they?![]() |
BELIEVE me, it's just a matter of time before Glenn Jones breaks through and enters the proverbial winner's circle for life! I've been saying this for two years now and felt it was timely now that RCA has just released Glenn's third LP, entitled "Take It From Me". |
The group name Slave has been with us a long time but not necessarily so the new personnel and the new direction. However, latest recruit Keith Nash explains why the 'new' Slave are ready to carry on the tradition.
With a succession of specialist radio and club anthems ("Keep Your Body Working". "Get Tough"' "Intimate Connection" etc. having made Kleeer one of the most consistently acclaimed American funk outfits on the thriving early eighties UK soul scene,
OFTEN, when a lead vocalist leaves a successful group, it comes as
surprise to the rest of the world. However, there are usually very
strong underlying reasons that simply didn't come to the attention of
the public. Certainly, that was true of the Lionel
Richie-Commodores and Jeffrey Osborne-LTD
splits. And, to a lesser degree, it's the case in the {safm}Howard
Hewett{/safm}-Shalamar parting of ways.
It's not very often that a group hits the top spot on any chart with
their first record but Levert (Sean and Gerald Levert and Marc Gordon)
did just that last year with "(Pop, Pop, Pop) Goes My Mind" when the
record, taken from their debut album entitled "Bloodline", became a
black music No. 1. A little over a year later, with a solid stint on
the road behind them, Levert are threatening to repeat their initial
success with "Casanova", the insistent, hypnotic ditty produced by
Reggie Calloway.
WHILE,
as a family group, Mason have that fact in common with the likes of the
Jacksons, Pointers and Isleys, they have one further common factor with
the Wilson Brothers, a.k.a. the Gap Band. Both families hail from the
unlikely city of Tulsa, Oklahoma.
Rick was a musical prodigy, producing records when he was 16 years old instead of going to school. He and Harry Wayne Casey (KC) worked at TK Records in Miami, where they joined forces to write and record five #1 hits as KC and the Sunshine Band. Two white guys with a black rhythm section, they shaped the sound of what would become known as Disco. Here's how it happened. Read the full interview on Songfacts.com
FINDING out that Atlantic Starr? whose music has marked them as a real
staple in anyone's black music diet for the past 9 years ? have only
ever had one gold album came as a shock to me when keyboardists
Jonathan Lewis revealed that very information during the course of our
recent interview, held in conjunction with the forthcoming release of
the group's Warner Brothers' debut, "All In The Name Of Love". You
could, as they say, have knocked me down with a pennyfeather ? or some
kind of feather!