IF
predictions were my line, Motown's newest signing Stacy Lattisaw could,
in time, become a serious threat to the likes of Teena Marie and Janet
Jackson. She was, to all intents and purposes, quite a surprising
addition to the Motown family because prior to this, very little had
been heard about the nineteen year old singer. With "Nail It To The
Wall" showing healthy signs of becoming a hit, Stacy's debut album
"Take Me All The Way" is set for UK release next month - and what a
stunner that is too! However, before getting to that, a few facts and
figures.
Master drummer/producer Norman Connors has been away from the recording scene for almost six years now but out of studio doesn't mean out work. The man who first brought the likes of Phyllis Hyman, Michael Henderson and Glenn Jones to public attention vai his mid-Seventies albums for Arista and Buddah is quick to point out that he's been performing pretty consistently throughout that time.
AFTER a long hiatus and a label change, Steve Arrington is
back in the land of the recorded living! The ex-front man for
Slave marks his
switch from Atlantic/Cotillion to Manhattan with what most critics feel
is his best and, even more importantly, his most commercial effort yet
"jam Packed".
MUSIC
was far from Mary Davis' mind when we sat down to mega-chat just
recently. The remainder of the SOS Band were off doing their own thing
leaving The Two Davises to chat over sandwiches and coffee.
As his official Geffen Records' bio states, "John White sings with the authority and control of some of R&B's finest vocalists ..." and after listening to the gentleman's debut LP, "Night People", it would be tough to disagree.
With a succession of specialist radio and club anthems ("Keep Your Body Working". "Get Tough"' "Intimate Connection" etc. having made Kleeer one of the most consistently acclaimed American funk outfits on the thriving early eighties UK soul scene,