It's one of those times in Larry Blackmon's pretty long, fairly illustrious career when everything must seem to be happening so frustratingly slowly.

Last year saw his band Cameo consolidate ten years of powerful, consistent music with their biggest selling album to date, "Single Life" — not to mention their first hit singles in the U.K., "Single Life" and "She's Strange" — and it now seemed that, at last, Cameo were destined for true international recognition.

IF predictions were my line, Motown's newest signing Stacy Lattisaw could, in time, become a serious threat to the likes of Teena Marie and Janet Jackson. She was, to all intents and purposes, quite a surprising addition to the Motown family because prior to this, very little had been heard about the nineteen year old singer.

Here are some Liners from October '87 from the B&S Magazine. 

Maybe we're not in the mood for message records right now. Even so, "Crack Killed Applejack" is a powerfully persuasive insight into the tragedy of American basketball star Len Bias, who, after a distinguished high school record, becomes addicted to crack, thereby ruining his life. It eventually killed him.

When B&S last spoke to Lanier & Co back in February of last year (was it really that long ago?!), the group were hoping that their third single for Willie Mitchell's Waylo label would be the one. While "Dancing In The Night" can't really be regarded as a hit in terms of the small U.K. market (having peaked outside of the Top 75 at No.78) it has at least brought them to the attention of a major label in EMI. Hopefully the single is selling sufficiently well to convince EMI to go with a follow-up, and maybe their now-completed album as well.

"SO, WHAT'S in a name? Well, maybe that depends on what particular career you happen to be pursuing. What, I wonder, would have happened to Tina Turner had she pursued her professional career under her real name Annie Mae Bullock or Edwin Starr who entered this mortal coil in January 1942 under a Charles Hatcher monniker. Possibly the results would have remained the same, but you never do know. Is it First Circle or Full Circle?.

WITH their new album "Burning Love" already proving very 1 popular on import, it would I seem Con Funk Shun have joined the ever-increasing ranks of veteran R&B/funk bands who are really coming to | grips with the new music | technology while at the same time retaining the original qualities that established their status in the first place.

You may be forgiven if you think 'Deja' has a sort of familiar ring. The name may be new, but the duo boast a partnership spanning more than ten years. And though the name alludes to something we've seen before, Curt Jones and Starleanna Young are looking forward to the future, not back to the past. Dropping the name Aurra is a positive move to exorcise ghosts from the past, and start afresh with a whole new sound.

IN WHAT could justifiably be called their third incarnation, perennial favourites Kool & The Gang have undergone a pretty major personnel change. With the departure of James "J.T" Taylor, the group have drafted in not one, but THREE lead vocalists. As Robert "Kool" Bell, Dennis "D.T." Thomas and one of the group's new additions, Gary Brown reveal, the veritable musical institution is now in transition.
"With three different vocalists, we can pursue three different musical directions," says D.T. "We had our first decade which was a lot of musical experimentation with a lot of emphasis on a more instrumental sound and then the second phase which featured J.T.'s vocals and now we're taking both those elements and putting them together for this new cycle."   

To soul fans, and particularly Soul and Funk Music.com visitors, Alyson Williams is no newcomer. Featured on duets with Def Jam labelmates Tashan, Chuck Stanley and Oran 'Juice' Jones and part of the "Soul Songs" tour in 1987, the soulful lady left an indelible impression on European music lovers through her varying different musical excursions.
Now, you'll be pleased to know, you can get a whole album which features (for the most part) the truly amazing vocal talents of Ms. Williams: her debut LP has finally been released in the States, where only the more discerning record buyers have noted her name hitherto.

If you've been a funk lover for at least ten years, you will no doubt remember George and Louis as the two brothers who got you out on the dance floor with a string of hits for A&M that included "I'll Be Good To You", "Get The Funk Out My Face", "Ain't We Funkin' Now", "Stomp!" and "Light Up The Night".

Rick was a musical prodigy, producing records when he was 16 years old instead of going to school. He and Harry Wayne Casey (KC) worked at TK Records in Miami, where they joined forces to write and record five #1 hits as KC and the Sunshine Band. Two white guys with a black rhythm section, they shaped the sound of what would become known as Disco. Here's how it happened. Read the full interview on Songfacts.com