IT WAS Friday the Thirteenth so it was logical to expect something would go wrong. But happily all was not lost because, after a period of total confusion. I did get to speak to a temptin' Temptation — Richard Street. And boy, was he heavy in cold! He'd been suffering for three days but had so far managed to keep it to himself — and this was despite have a flu shot before leaving America!
Anyhow, The Temptations are touring here, as if you needed me to tell you, and to coincide their new single "All I Want From You" has been released, taken from their super "Special" album. And I mean it is a super release, a pot pourri of music, with tracks appealing to all ages. Maybe not so much of The Temptations' sound though. Richard said this was largely due to the producers.
"We used different producers here and some were only in their twenties. That's the way the record company wanted us to go. The producers were fans of the group and maybe the result isn't exactly what people expected.

WHILE, as a family group, Mason have that fact in common with the likes of the Jacksons, Pointers and Isleys, they have one further common factor with the Wilson Brothers, a.k.a. the Gap Band. Both families hail from the unlikely city of Tulsa, Oklahoma.

 WHEN IT comes to making quality music, Angela Winbush is no slouch. As record buyers on both sides of the Atlantic discovered when the former member of the hit duo Rene & Angela released "Sharp", her first solo LP, in 1987, the lady's talent as a producer, songwriter and vocalist clearly put her in a class of her own.
Following the success of "Angel" (a No. 1 U.S. blackmusic hit) and subsequent singles such as "C'est Toi" and the super-soulful duet "Hello Beloved" (recorded with Ronald Isley of the legendary Isley Brothers, who is also Angela's personal manager), the St. Louis-born star has put her hit stamp on records by Sheena Easton, Stephanie Mills and The Isley Brothers.   

 WHEN you go to the windows of hell and look in, you begin to see the ugly reality of pain. And if you're fortunate enough to escape that gravitional pull out of there and come back into reality, then you can begin to philosophize on'what is real and what is not real."It gives you the strength to persevere — to go ahead — and I was fortunate enough to be drafted by The Spinners right away and that, within itself, did not allow me to
Former Spinner, U.S. marine and man about music, G.C. Cameron reflects, remembers and considers future activities. Scott Taylor tunes in wallow in the pity and the sorrow many of my comrades did who had time on their hands.  

IT'S been three years since her last album . . . but now she's back! "Watch Out" is the title of the new album and single and judging by the response so far, both will be big sellers. Yes indeed, Patrice Rushen has returned with a vengeance. The album, incidentally, is all her own work except for three tracks ? "Somewhere", "Anything Can Happen" and "Long Time Comin'" ? and the project is a direct cross between dance and ballad.

They've been acknowledged as two of the most well-known 'voices' in black music: between them, these men have sung on some of the true classics in popular music ? "My Girl", "Just My Imagination", "I Wish It Would Rain" ? the list is impressive by anyone's standards.
After the reunion tour with their former colleagues, The Temptations, at the start of the Eighties, David Ruffin and Eddie Kendricks (he dropped the 's' a few years back) hooked up with John Oates and Darryl Hall for a special night at the famous Apollo Theatre in New York.

BELIEVE me, it's just a matter of time before Glenn Jones breaks through and enters the proverbial winner's circle for life! I've been saying this for two years now and felt it was timely now that RCA has just released Glenn's third LP, entitled "Take It From Me".

IN THE music industry it seems that new forms of music are competiting against old. Take Hip Hop for example. R&B artists dis hip hoppers, jazz vocalists poke fun at rhymes and drum machines. Nobody seems to like each other .. .or do they?

One producer who has made the successful crossover from Hip Hop into R&B is Teddy Riley, a soft spoken young man in his early twenties who got his start producing rappers from B-Fats to Kool Moe Dee and Heavy D & the Boyz.  Riley suddenly became a household name by working on Keith Sweat's "I Want Her", followed by a hit by Johnny Kemp. It's hard to find a day when he's not in the studio planning future projects with Stephanie Mills, Billy Ocean and the Jacksons. Riley also sings and plays music in his own soul group, Guy, and has been utilising singer and songwriter Aaron Hall to write lyrics for the song Michael might be singing with his brothers.