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Alexander O' Neal is back with his brand new album '5 Questions The Journey'. I think it was worth waiting for. It contains some uptempo tracks and a lot of down tempo songs. I've marked 6 songs as favorite. "I Found True Love", "I Can't Wait", "Love Don't Love Nobody" are my most favorite 5 out 5 stars. This is a great album check the sound samples on amazon. > |
> > | At only twenty-five years of age, Rik Mol is touted as one of Europe’s leading trumpet players. He has gleaned many awards for his music. Mol has also had the privilege of Trumpet player, producer and bandleader Rik Mol has been busy composing in his creative kitchen. As a “master chef of muse” this versatile artist has created another delicious musical dish! Rik’s latest release is Funk on Me. The album is a winning recipe as his fans feast on a superb blend of funk, pop, soul and jazz.performing with the likes of Basement Jaxx, Steve Lukather, and Candy Dulfer. However, Rik’s new recipe for Funk on Me is different from his previous releases. He has spiced up this album with generous helpings of pop, soul, funk and jazz in an exquisite and eclectic mix of genres. > |
> > | When keyboardist-composer-producer George Duke made a return trip to the heyday of funk on his 2008 recording, Dukey Treats, he reminded his fans and the music press of exactly what made the good old stuff so good. DownBeat called it "a wild and crazy album, especially if you're nostalgic about the guitar-scratching, double-clutching rhythms of James Brown and George Clinton and the bedroom ballads of Stevie Wonder and Aaron Neville." The Philadelphia Enquirer called it simply "a valentine to funk." Duke returns to that same wellspring for Déjà Vu. The album revisits the synthesizer sound that characterized some of his most memorable recordings from the golden age of funk and soul. > |
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More than three decades after his earliest recordings, keyboardist and composer Jeff Lorber has come full circle. His new recording, Now Is The Time, delves back into his early catalog and reinvents some of the most compelling compositions from the Jeff Lorber Fusion heyday. As a result, the artist once again makes a bold statement in the evolution of jazz. "We all had a vision of what we wanted this record to be," says Lorber, who points to a recent European tour with many of these same musicians - and the positive response that resulted from it - as the primary catalyst for the album. "We wanted a return to the sound of the Jeff Lorber Fusion, but informed by everything I've learned since then. All of a sudden, people seem to be interested in hearing that again. They're ready to hear musicians who can really play, really stretch the envelope with their technique, with their songwriting, and with harmonic structure." > |
> > | Combining R & B, Hip-Hop, Reggae, Jazz/Funk and old style soul in heretofore unheard of combination's, Baltimore's GROOVE STU are the versatile architects of "Urban Soul Movement." Not content to construct songs on the foundation of one genre, GROOVE STU sews a million threads of rhythmic inter-connectivity with ethereal hooks that still seem to cook the sidewalks with passion and distinctiveness. While hip-hop energy percolates through the seams of each track, GROOVE STU's expert instrumentalists ground each song with a bed of funk worn musicality. Groove Stu has been exposing audiences to their musical flavor throughout the East Coast. Like Tribeca Blues, Soul Cafe & Le Bar Bat in New York. > |
>> | 2010 from the acclaimed guitarist and vocalist. So Strong is simply put- so strong! The first single (and title track) already made an impact at Urban Adult Contemporary and is a marvelous, hip slice of his powerful vocals over an infectious, driving rhythm. Smooth Jazz radio gets a taste too with the Benson-esque "Make Room for Me" and the inspirational "You Got to Believe Something" is a musical credo that won't let you down. So Strong- we hope you will agree- isn't just worth the wait, it's worth the weight in soul. "So Strong" is the 16th album by the famed South African-born singer/guitarist/songwriter/producer, whose music is often classified as R&B, jazz fusion or smooth jazz. Fans of Jonathan Butler will not be disappointed with the combination of smooth guitar led instrumentals like "Good Times" and "Make Room For Me", which has already reached # 20 on the Billboard Jazz Songs Chart. "I Pay Respect" is the most gentle of acoustic guitar instrumentals. The lilting "Color Green" and the upbeat "So Strong" are the pick of the vocal tracks, while "You Got To Believe In Something" has a languid fell to it. > |
>> | On June 22 Keith Sweat will release a new album called Ridin' Solo on Kedar. This will be his first album released on Kedar Entertainment Group! The first single from the album “Test Drive” feat. JOE is already available on Itunes. More info will follow. > |
>> | Jazz and R&B icon Gerald Albright is considered to be one of the most innovative and successful artists of the last twenty-five years. With the release of Pushing The Envelope, Albright's super cool side is back. With its polished soul/jazz vibe, Pushing The Envelope is a showcase for Albright's remarkably fine balance of songcraft and musicianship, and features special guest appearances by Fred Wesley on trombone, Earl Klugh on acoustic guitar and George Duke on acoustic piano. Produced and arranged by Albright, Pushing The Envelope provides the perfect opportunity for this master musician/saxophonist/songwriter to exhibit his skills. He plays soprano, alto, tenor and baritone saxophones, flutes, bass guitar, and keyboards, and also handles synthesizer, EWI and drum programming. Albright's band on most of the album includes keyboardists Tracy Carter and Luther "Mano" Hanes, guitarist Ricky Watford and drummer Ricky Lawson. Pushing the Envelope is easily Gerald Albright's most rewarding session to date. "The title reflects all the tunes on the project," Albright says. "I didn't want to hold anything back. I really wanted to push the envelope and give people a little more edge. I come from the era where we didn't think of a formula - we went from the gut." Mark > |